In case you were wondering why I don’t post as often as I’d like, have a look at what a typical week looks like for me. Names have been changed to protect the innocent.

Strangely enough, those little blips of free space aren’t always free either. Though I doubt I’ll ever get fully accustomed to my supermodel diet (aka the vending machine lunch).

[Note: this is cross-posted from another blog I write on. I've made a few changes here to make it audience-relevant]

I’ve made a lot of fuss lately about vinyl, mostly because I’ve been buying a lot of it, but also because the format is showing new life.  Vinyl sales in 2008 were up 147% over the previous year according to the RIAA, the only physical format to show any positive growth at all.  My reasons for buying vinyl are numerous, and I’m going to attempt to list them here.

1. I stopped buying CDs in 2002. I am not going to lie, I haven’t bought a new CD in 7 years. I won’t go too in-depth on the reasons for this, since it’s enough material for an entire book. The gist of it is that I became disillusioned and upset around that time, and just stopped. I’ve bought some used CDs, and I will sometimes by a CD directly from the artist, but I haven’t bought a new CD at retail in a long time.  And so I turned to vinyl.

2. I download a lot of music. I do this through a number of different channels. The options are many – from Amazon to iTunes to Lala to a variety of less legal methods. For the most part, this is still my preferred method of listening to music due to its accessibility, portability, and searchability.  Most, if not all, of the new music I discover is through digital channels and recommendation systems.  Because I download a lot of music, CDs have become less and less important to me, and vinyl has filled that void.

3. There is a lot of used vinyl out there. I’m lucky enough to live in a gigantic city with a few outstanding record stores, almost all of which sell used vinyl for cheap. There’s Amoeba Music, the undisputed heavyweight champion of independently owned stores. But there’s also The Record Surplus, a great little westside spot that has an incredible selection of classic vinyl. Typical used vinyl prices are less than 5 bucks a record, with many only a dollar or less. Rare vinyl is typically pricey, though I just snagged a couple of double-disc Prince original pressings in excellent condition for less than 10 bucks each.

4. It just sounds better. I’m not going to debate this. It’s not worth arguing, it’s a matter of taste. And I like the sound of vinyl better.

5. Vinyl is beautiful. It’s really hard to argue with the fact that album artwork looks better in a bigger format. I’ve yet to buy a record that I didn’t want to just stare at. And with vinyl packages starting to rival the CD deluxe boxes, you can get cool shit like colored/clear vinyl, crazy box sets, poster inserts, sleeve art, etc.

6. Some record companies are getting it right. I’m proud to work at a record company that ships more vinyl than any of the other major labels. But we screw a couple things up: no digital versions included with most of our records. There’s a subsidiary of my label, though, that gets it very, very right: Nonesuch is a former avant-garde label that has branched out significantly into jazz, rock, and world music, and gets vinyl absolutely 100% right. How? The majority of vinyl releases come with a CD, and all for just slightly higher than the retail price of the CD alone. Typical releases are 17 dollars. The beauty of this: I can do anything I want with this music. I don’t have to record the vinyl to MP3, don’t have to download 320kbps if I really want V0 or FLAC, and I can put it in my car or on my iPod. It’s really the best of all worlds for a pretty reasonable price. I’ll settle for a download card, but the CD is a really nice touch. Some other labels, like Anti, do a really cool thing: the download card that comes with the album can be shared with up to 5 other people. Record labels take note: these are major incentives for me to buy your album on vinyl.

7. There’s something really fun about vinyl. Maybe it’s the engagement factor: you have to care about that music enough to flip it over when the first side is done. You have to carefully place the needle if you want to hear a specific song. You can’t put it on shuffle. You have to cock your head sideways while staring at your shelf to find what you’re looking for. All of this goes contrary to what I said in point 2 above, but I always like to have a bit of balance. It’s not so much nostalgia (I may be young, but I still had vinyl before cassettes and before CDs), and it’s not so much about snobbery (though I admit I am one). It’s about the fetishistic physicality of vinyl that can’t be duplicated by 1s and 0s on a hard drive. And don’t get me started on how much I enjoy digging through crates at record stores…

8. I don’t buy all of it. I started working at a record company three months ago, and have instantly amassed a plethora of new vinyl releases. It is, far and away, the single best thing about working at a record label.

9. The vinyl community is undeniably awesome and simultaneously completely nuts. Don’t believe me? Go to a record fair sometime. It’s as if the comic book guy from The Simpsons got a Rush record from his brother when he was in high school and decided his path to obscurity would be much more fun with a little rock and roll.

10. I inherited my parents’ vinyl collection. Forty five years worth of great recordings, mostly 60s and 70s rock bands, but with some serious gems. I’ve got nearly all the Zappa albums, every single Beatles album, and my dad was even kind enough to buy a couple of Captain Beefheart records in his glory days. Digging through these stacks has not only given me a completely new appreciation for my parents, but a glimpse into the record collecting of years past.

In between rounds of “you post too damn much, stop flooding my streams,” or “do you eat 37 meals a day?” I occasionally hear positive things from my social media followers, such as “you do the coolest things on weekends, I’m so glad I can follow your shenanigans.” Well, thanks! While I often find that I work too much, and spend way too much time sitting on the intarwebs, when I get some free time, I like to explore. But not by myself.

I’ve recently taken to finding new and exciting places around Los Angeles that require little or no money to enjoy (times is tough, people!). So today Lisa and I did a couple fun things.

First we went to the Greystone Mansion & Park. The mansion once belonged to oil tycoon Edward Doheny, a once-prominent figure in Beverly Hills. The house and grounds have long since passed into the hands of the city, and are now available for public enjoyment. Today there was a wedding in the garden and house, so we couldn’t see much, but here are a couple more photos.

After a pleasant picnic in the park, I decided to head downtown to visit the LA Central Library. This library is much like the New York Public Library, or the Seattle Public Library: massive architectural milestones, and incredible book repositories to boot. It was my first time at the library, and I’m guessing it won’t be my last. Fortunately, today was a pretty quiet day at the library, and I was able to browse without crowds. And on weekends they have cheap parking!

Here’s the atrium of the library:

And finally I made a trip into Chinatown, where Lisa and I browsed the strange and wonderful culinary and cultural oddities that make Chinatown unique. How about dried sea dragons?

Then we headed into a mall to grab some boba tea. Unfortunately they were out of boba (for real), so I opted for a vanilla and red bean smoothie. Not bad, not great, way too big.

Total cost:
Greystone Mansion & Park – $0 ($20 if you count the lunch we brought with us)
LA Central Library – $1 for parking
Chinatown – $15 for two smoothies, wasabi peas, kiwifruit jelly candies, and a giant box of oolong tea

Rarely have I ever seen such a diamond in the rough store as Galco’s Soda Pop Shop. Established in 1897, this incredible little place in Highland Park stocks more soda pop than you can shake a stick at. Grab yourself a root beer (or 2, or 20), and then mosey on down to the back of the store where they stock beers from around the world. I’ll be posting some of these as I drink them, but here are a few photos I shot while visiting the store.

When was the last time you listened to a cassette tape? I was thinking to myself that cars don’t come with cassette decks anymore. Most stereo systems don’t either. In fact, if I wanted to listen to a tape in the car, I’d have to plug a Walkman into the aux input – retrofitting a modern system utilizing a method for retrofitting for an even more modern system.

Well, as I am an avid collector of music, you better believe that I never parted ways with my old tapes. I’ve still got a couple of cases full of them. Many are commercially pressed recordings, ranging from Deep Purple to Jimi Hendrix (during that horrible phase where the Hendrix estate lost control of his music and they started “remastering” studio outtakes by overdubbing studio musicians).

But of course, I also have a bunch of mixtapes.

I couldn’t let all this great music go to waste! So I went to Craigslist and found myself a boombox for 20 bucks. Has a CD player, tape deck, and even an aux input (so I can make tapes from my MP3s). Heaven.

Here’s a bizarre gem of a tape I created for my middle school band, 2000 Flushes. We used to make tapes so we could learn the tunes. And since we’d never learn all the tunes on a given tape, I’d throw on a bunch of other stuff. I admit the tracklist here is pretty random, but rest assured these are all good songs on some level. Or maybe that’s just my 14 year old self talking.

The phrase “Fuck this, I’m moving to Lebanon” was some kind of inside joke I had in middle school. I really have no good explanation. The sticker on the outside of the tape remained intact.

And just for posterity, here’s the tracklist:

Side A
The Descendents – I’m The One
Stealers Wheel – Stuck in the Middle With You
Smashing Pumpkins – Disarm
Vanilla Ice – Ice Ice Baby
Phish – Waste
Tool – Stinkfist
Spain – Untitled #1
Rage Against the Machine – People of the Sun
Elastica – Connection
The Jayhawks – Blue
The Jayhawks – I’d Run Away
Lenny Kravitz – Are You Gonna Go My Way?

Side B
Ben Folds Five – Julianne
Barenaked Ladies – If I Had $1000000
Blur – Song Number 2
Deee-Lite – Groove is in the Heart
The Offspring – Gone Away
Van Morrison – Wild Night
Jim Croce – Bad Bad Leroy Brown
Toad The Wet Sprocket – Walk on the Ocean (incorrectly labeled)
The Buggles – Video Killed the Radio Star
Soul Coughing – Super Bon Bon
Goldfinger – Here in My Bedroom
Cake – Rock & Roll Lifestyle
Semisonic – F.N.T.
The Refreshments – Banditos (cuts off)