On the Power of Absurdity
A few weeks ago I came across an odd little piece of musical cinema, the video for “Jerk It” by a group called Thunderheist. Without little more than a mention in the indie trade behemoth Pitchfork, this group popped up in my FriendFeed and the video instantly caught my attention.
Now let’s cut to the chase: cute girl + slow motion + jiggle = hot. You really can’t beat around the bush here, this video is sexy. But sexy is really only the beginning.
She’s shaking a chicken (if you don’t get the metaphor, my explaining it won’t do you much good).
I am obsessed by absurdity. The frogs in Magnolia. Tom and Jerry cartoons. Tristan Tzara. Dada in general. How about David Lynch? This is the stuff I live for. That moment when things go from utterly plain to utterly insane.
I came across the Scott Pilgrim series of graphic novels recently, and instantly fell in love. Scott Pilgrim actually has a narrative technique named after it (i.e. “pulling a Scott Pilgrim”). Like all other beautifully absurd works, the idea here is that normalcy can be utterly transformed by a simple twist of reality, a detour into the realm of impossibility or of the bizarre.
And so, my friends, the delicate absurdity and uneasy sensuality of “Jerk It”:
thunderheist – jerk it from thatgo on Vimeo.

